Obviously France's proximity to Britain was of great help to the Resistance. The British Special Operations Executive (SOE), established in great secrecy in July 1940, worked closely with resistance movements throughout Europe and beyond. Hundreds of agents were sent into France, many of whom gave their lives. De Gaulle, however, was not entirely happy about the fact that SOE sections operated independently of him and behind his back. The BBC too, was invaluable in transmitting information and instructions through apparently inane personal messages ('Nancy has a stiff neck') and the playing of particular tunes. This led to one situation where the SOE insisted that the BBC play a popular dance tune called Poor Old Matthews dead and gone immediately after the obituary of a cardinal.
Welcoming scenes by local Resistance fighters such as these waving German 98k Karabiner rifles greet the Allies on their advance.
But it would be quite wrong to see the Resistance as controlled by the SOE. Indeed, there is much evidence to suggest that the British were distinctly unpopular in some regions of France. British agents tried to lessen the impact of this; Harry Rée managed to negotiate with a foreman in the Peugeot factory at Montbéliard that production would be sabotaged from within if the RAF retrained from bombing it. For most of the war the resisters were a small minority of the population, one report estimated 5 to 7 per cent supported the Resistance, compared with 2 or 3 per cent who were active collaborators, and the other 90 per cent who were keeping their heads down to see which side would win, at least until the beginning of 1944. But the small numbers of active collaborators were more than encouraged by the Germans; high rewards were paid for 'shopping' a Jew or a member of the Resistance. In such a climate double agents abounded. The Interallie network was destroyed by the activities of the double agent Mathilde Carré. Known to the Germans and Allies alike as la chatte, the she-cat, she was later tried for high treason.
Cries In The Dark
The penalties for resistance were terrifying. Appalling tortures were used to make prisoners talk. Héléne Vagliano, in Grasse, was captured by the Gestapo, her breast, back, arms, neck and cheeks were burned with a hot smoothing iron. Her parents were put in adjoining cells in the hope that her screams would make them betray what they knew. But Héléne Vagliano said nothing. Another device was to put the prisoner in a bath and hold his or her head under water until consciousness was lost. Many preferred suicide, by swallowing cyanide or slitting their wrists rather than endure ever more torture. Perhaps an even worse deterrent was the use of hostages and reprisals. In 1942 it was decreed that if a resister was convicted of sabotage their male relatives (including their cousins) would be shot, and their female relatives condemned to forced labour. In May 1944 the Germans killed 86 men in one village after the derailing of a train which had caused no casualties.
A member of the Resistance, having fallen into the hands of the Gestapo, suffers the horrors of the torture chamber.
The Resistance had been greatly reinforced from 1942 onwards by those who chose to take to the maquis rather than do forced labour service in Germany. The maquis consisted of guerrilla like groups fighting from the mountains and remote areas of the country, carrying out acts of sabotage well into the heart of the German war machine. It grew even more rapidly in the first months of 1944, when it became clear that an Allied victory was more or less assured.
Medieval thumbscrews were revived and used by the Gestapo as one of their cruel methods of interrogation.
After the Normandy landings in June 1944 the Resistance played a valuable supporting military role. Telephone communications were sabotaged so effectively that the Germans were virtually forced to abandon telephones in favour of radio messages which were much more easily intercepted by the Allies. On the night before the Allied landings began, 950 railway lines were cut by Resistance saboteurs. The cuts were repaired within a week, but almost all were made again within a fortnight. Deliberate non-cooperation by railway workers greatly intensified the effect of the sabotage. Non-cooperation spread rapidly to other sectors; on 15 August, 20,000 Paris policemen went on strike, adding to the general chaos which was now developing in the city streets .
After the liberation, women who fraternised with Germans had to pay the price with their heads shaven; they were often paraded in public.
Sweet Taste Of Revenge
It was in this period, with defeat staring them in the face, that the German occupiers and their hardcore collaborator allies committed some of their worst atrocities, often killing more or less at random. Small wonder that many in the Resistance felt determined to be avenged. In many areas Liberation committees were set up more or less independently of central government, and people's courts began to try former collaborators. At least 11,000, possibly more, were shot. But for the intervention of Communist poet Louis Aragon, Maurice Chevalier (who had sung for German troops) might have been among those shot.
At the hour of reckoning, a collaborator tries to shield his face from his vengeful attackers.
Women who had consorted with Germans had their heads shaved or were paraded through the streets naked in front of jeering crowds. At the Liberation collaborators were barred from politics, though some crept back out of the woodwork. For two decades or more some sort of Resistance record was a necessary qualification for public life. But the vagaries of the post-war world drove resisters in many different directions. Albert Camus of Combat, won a Nobel Prize for literature. De Gaulle after a decade in the wilderness returned to serve ten years as the President of a new French Republic, and such resistance fighters as Francois Mitterand went on to follow in his place.
Guarded by armed members of the maquis, a German prisoner is marched through the streets of liberated Chartres.
Source: Images of War